harcourt: (Default)
For the excerpt commentary meme. X-posted here because tumblr, man. Tumblr.

____________

OK! So since Melt Your Clocks is a WiP, this might be spoilery. Not in the sense of giving away plot, but talking about characters and what they’re thinking and that kind of thing. I haven’t done a DVD commentary before, so let me know how I do. :P


I will assume you already know this is darkfic. )
harcourt: (Default)
If Steve is old in the House of M alt world because he was never frozen, does that mean that the serum doesn't actually, as per fanon, slow down his aging? Or is that just specific to that story? One of the things I have trouble with in fandom is determining when someone saying "it's canon" means it's part of the character's core mythology, or a thing that once happened "in canon" that may or may not be used again by other writers.

Also, I guess I'm the only one who likes House of M, but I'm kind of fascinated by that reverse mutant supremacy world. I've kind of accepted that the set up and resolution of some comics arcs are going to be weaker than what happens in the arc, which includes human rebellion underground, and, someone tells me, Hulk as the Prime Minister of Australia.

Which I hope is a true thing. Because yes.

If Steve wasn't old in M, I might be interested in writing Steve/Clint human rebellion House of M fic. Would it make any sense at all to just have Steve be Steve, or is that too obviously self indulgent canon alteration? I haven't read all the tie ins, and if I had, the sprawling nature of comics canon feels way harder to deal with than MCU, where you can simplify down to "6 Avengers, team ambiguously tied to SHIELD, magic and tech themes, go."
harcourt: (Default)
I'm working on a story that's a prequel, and am having trouble coming up with an overarching plot, even though I think the setting and world problems of that part of canon are interesting and unique. I want to design out almost entirely the part of the story that takes place and that the canon actually covers, but it's still giving me what I call "Caprica problems." Which are,

1. The earlier events aren't as dramatic or ultimately important as the ones covered in the canon proper. In the case of the BSG--although I'm not writing BSG--mythos, the First Cylon War and surrounding events aren't as dramatic as the fleet or survivors, and in any case, we know any successes are going to prove empty, because we know it's not really over and the war not really won.

Knowing what comes later drains the sense of stakes.

2. Kind of picks up from part of one--the canon set for earlier events are designed to serve the story canon is actually telling, not their own. So the highs and lows are already set-up to not compete with the drama of the proper story, and the events and world building may not hang together for their own sake. You didn't need a cohesive history, for example, for Admiral Adama. You just needed enough to make Apollo feel overshadowed and tortured by duty, and enough to give the world a sense of history. The bits you see might not have a good arc once you start stringing them together, and might not be easy to build on, but either way you're constrained by the precedent.

3. The story has already been told in asides, flashbacks, character conversations, and via the canon proper--we know how the long game ends. Any important questions have already been answered by virtue of us knowing the outcome of the story that happens later.

You have to come up with new, entirely different questions to ask. Otherwise its just filling in spaces that most of the time were intentional "negative space" (story wise) anyway. That is, "seduced by the dark side" is scary and romantic when that suggestion is all you know. The play-by-play just kills the mystery.

Anyway. All of these are kicking my ass. Plus the canon for the prequel events contradicts itself pretty blatantly in parts, so that's a help, show. It really is.
harcourt: (Default)
Finally finished the outline of the next part of tigerfic. I usually get two chapters up in a month--at really irregular intervals--but this time not so much.

I know what I want to do for remix, and I have enough notes jotted out to start but now I'm second guessing if it's too different from the source fic. *fret*.

I also know where to go with that Deadpool&Clint roadtrip fic.

The idea part of my brain seems to be trucking along OK, but when I sit down to write the words just don't come. Maybe I'm blocked or something. Or just sleep deprived. Or--since I outline best while commuting--maybe I need someone to drive me in endless circuits of the city while I type. :P

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